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Photo Rag® Baryta – a white, 100% cotton paper – guarantees archival standards. It meets the highest industry standards regarding density, colour gamut, colour graduation and image sharpness while preserving the special touch and feel of genuine art paper.
Available Dimensions:
30 x 40 cm |
50 x 75 cm |
80 x 100 cm |
100 x 140 cm
Amiel Pretsch was born in Salzburg / Austria. He studied music composition and percussion at the Mozarteum in Salzburg and film direction at the Film Academy in Vienna. But he broke off both of his academic studies. While on a job in Africa he decided to change from reproducing photography (reportage) to producing photography (fashion and advertising).
Best-of-collection of stimulating and suggestive eroticising photographs, all published in the book “Drinks of Aphrodite”
Coloured bodies and body shadows distinguishing from basic white. The intended loss of details occurs due to the use of a white canvas and the adjustment of (exposure) time.
Specially produced photos were cut out and pasted in environments, found on the island of Reunion. The cut outs were re-photographed and left behind as reverse photographic souvenirs. (“Don´t take a picture, but leave one.”)
It does not need 15 minutes to make a person famous, it is the sixtieth part of a second, the needed exposure time of a photograph. In this portrait series of Amiel Pretsch encountered the most different people of this world and kept their individual fame alive.
Cross the border to the “state of vision”. Become animated and inspired by the visions of Amiel Pretsch. “Visionality” interpreted in analog photography and multimedia dance performances.
Enter the time tunnel back to the nineties (Photography) and the beginning of the new millennium (Multimedia performances).
Best-of-collection of stimulating and suggestive eroticising photographs, all published in the book “Drinks of Aphrodite”.
Coloured bodies and body shadows distinguishing from basic white. The intended loss of details occurs due to the use of a white canvas and the adjustment of (exposure) time.
Specially produced photos were cut out and pasted in environments, found on the island of Reunion. The cut outs were re-photographed and left behind as reverse photographic souvenirs. (“Don´t take a picture, but leave one.”)
It does not need 15 minutes to make a person famous, it is the sixtieth part of a second, the needed exposure time of a photograph. In this portrait series of Amiel Pretsch encountered the most different people of this world and kept their individual fame alive.
Cross the border to the “state of vision”. Become animated and inspired by the visions of Amiel Pretsch. “Visionality” interpreted in analog photography and multimedia dance performances.
Enter the time tunnel back to the nineties (Photography) and the beginning of the new millennium (Multimedia performances).
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Cross the border to the “state of vision”. Become animated and inspired by the visions of Amiel Pretsch.
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